2 edition of style of Palestrina and the dissonance found in the catalog.
style of Palestrina and the dissonance
Knud Jeppesen
Published
1946
by Ejnar Munksgaard, Geoffrey Cumberlege/Oxford University Press in Copenhagen, London
.
Written in English
Edition Notes
| Statement | with an introduction by Edward J. Dent. |
| ID Numbers | |
|---|---|
| Open Library | OL13675787M |
Giovanni Pierluigi da Palestrina (Composer) Born: between February 3, and February 2, - probably Palestrina, near Rome, then part of the Papal States, Italy Died: February 2, - Rome, Italy Giovanni Pierluigi da Palestrina was an Italian composer of the Renaissance. He was the most famous 16 th century representative of the Roman School of musical composition. Read this book on Questia. The teaching of Counterpoint has for centuries past been confined to the system called Academic Counterpoint, embodied in the Five Species, first organized by Fux in his Gradus ad Parnassum (published ). The supposition by Fux that his system was based upon the contrapuntal practices of Palestrina cannot be maintained: the rigid adherence to a cantus firmus in.
Home Jeppesen: The Style of Palestrina and the Dissonance. Jeppesen: The Style of Palestrina and the Dissonance Write a review by Dover Publications. £ SKU Quantity Quantity Add to . The distinguished Danish scholar Knud Jeppesen, fresh from writing his monumental book The Style of Palestrina and the Dissonance, in , realized that Fux's book was based only on a vague idea of the style characteristics of the Renaissance master. Equipped with the powerful resources of modern musicology, Jeppesen was able to correct Fux on.
In Western music, dissonance is the quality of sounds that seems unstable and has an aural need to resolve to a stable consonance. Both consonance and dissonance are words applied to harmony, chords, and intervals and, by extension, to melody, tonality, and even rhythm and gh there are physical and neurological facts important to understanding the idea of consonance and dissonance. The Palestrina style (stile del Palestrina) is characterized by a perfect sense of balance and equilibrium, a seamless marriage between intelligible text setting and rich vocal sonorities. Stress and accent follow the natural rhythms of the words, melodic motion and dissonance are carefully controlled, and his harmonic language is one of the.
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Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer’s work to discover its fundamental elements, including the handling of rhythm, line, and harmony. Beginning chapters discuss the standard use of rhythm and mensuration in Palestrina’s time, the ecclesiastical modes, and treatment of by: The Style of Palestrina and the Dissonance (Dover Books on Music) - Kindle edition by Jeppesen, Knud.
Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading The Style of Palestrina and the /5(2). Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composers work to discover its fundamental elements, including the handling of rhythm, line, and harmony.
The greatest Renaissance creator of liturgical music, the revered sixteenth-century composer known as Palestrina wrote works that served for /5(12). Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer’s work to discover its fundamental elements, including the handling of rhythm, line, and harmony.
Beginning chapters discuss the standard use of rhythm and mensuration in Palestrina’s time, the ecclesiastical modes, and treatment of : Knud Jeppesen. Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer's work to discover its fundamental elements, including the handling of rhythm, line, and harmony.
Beginning chapters discuss the standard use of rhythm and mensuration in Palestrina's time, the ecclesiastical modes, and setting of words. Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer’s work to discover its fundamental elements, including the handling of rhythm, line, and harmony.
Beginning chapters discuss the standard use of rhythm and mensuration in Palestrina’s time, the ecclesiastical modes, and treatment of words. Style of Palestrina and the dissonance. Copenhagen: Levin & Munksgaard ; London: H.
Milford, Oxford University Press, (OCoLC) Named Person: Giovanni Battista Pierluigi da Palestrina; Giovanni Pierluigi da Palestrina: Document Type: Book: All Authors / Contributors: Knud Jeppesen.
Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer's work to discover its fundamental elements, including the handling of rhythm, line, and harmony. Beginning chapters discuss the standard use of rhythm and mensuration in Palestrina's time, the ecclesiastical modes, and treatment of words/5(12).
Buy The Style Of Palestrina And The Dissonance (Dover Books on Music) by Knud Jeppesen (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders/5(2). Book Source: Digital Library of India Item : Knud ioned: ble. The greatest Renaissance creator of liturgical music, the revered sixteenth-century composer known as Palestrina wrote works that served for centuries as models of counterpoint.
Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer’s work to discover its fundamental elements, including the handling of rhythm, line, and ing.
Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer's work to discover its fundamental elements, including the handling of rhythm, line, and harmony. Beginning chapters discuss the standard use of rhythm and mensuration in Palestrina's time, the ecclesiastical modes, and treatment of words.
The style of Palestrina and the dissonance Item Preview remove-circle Share or Embed This Item. The papers of this book made it reflective when scanned. Access-restricted-item true Addeddate Bookplateleaf Boxid IA Camera Sony Alpha-A (Control)Pages: Giovanni Pierluigi da Palestrina (c.
– 2 February ) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.
He had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint, and his work is considered as the culmination of.
Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer's work to discover its fundamental elements, including the handling of rhythm, line, and harmony. Beginning chapters discuss the standard use of rhythm and mensuration in Palestrina's time, the ecclesiastical modes, and treatment of : $ Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer’s work to discover its fundamental elements, including the handling of rhythm, line, and harmony.
Beginning chapters discuss the standard use of rhythm and mensuration in Palestrina’s time, the ecclesiastical modes, and treatment of : Dover Publications. Jeppesen The Style Of Palestrina And The Dissonance [d49oy32qo]. At the heart of the book is a painstaking examination of Palestrina's use of dissonance and his contrapuntal technique, which forged new harmonic devices that were unorthodox for his time, but proved vital to the development of the western harmonic systems of later years.
This sounds to be a book to have, one which will speak both to the general readership and to the scholar. I'll order a copy tomorrow. For those who would like a more technical discussion of Palestrina's sacred oeuvre, I have just finished reading The Style of Palestrina and the Dissonance.
It is a beautifully written and highly intelligent account of the subject by the early-to-mid XXth. A meticulous and informed examination of the compositional style of the greatest Renaissance creator of liturgical music.
Author Knud Jeppesen explores the elements and disciplines that constitute Palestrina's personal style including his handling of rhythm, line and harmony. The beginning chapters discuss the standard use of rhythm and harmony in Palestrina's time, setting the context of the.
Uploaded by. Jaume Bordas. Laborintus II (Luciano. and the Dissonance. Knud Jeppesen lenhesen The Style of Palestrina. In his introduction to this book, Edward J. Dent describes Palestrina as “a composer who.
Author Knud Jeppesen proceeds to explore Palestrina’s music in of the evolving concept and treatment of dissonance before Palestrina.The style of Palestrina and the dissonance.
New York: Dover Publications. MLA Citation. Jeppesen, Knud. and Dent, Edward J. The style of Palestrina and the dissonance. With an introd. by Edward J. Dent Dover Publications New York Australian/Harvard Citation. Jeppesen, Knud. & .This classic study remains one of the foremost works on the music of Palestrina.
Features a rigorous and valuable analysis of the composer's handling of, ISBN Buy the The Style of Palestrina and the Dissonance ebook.
